Tuesday, December 9, 2014

Catch a Little Rhyme By Eve Merriam

DO NOW:  Copy the list.  To the right of each word write a sentence that ends with a different word but one that that sounds very close to the word on the left

  • at ------- The wolf ate the whole cat and got very very fat.  
  • bite
  • cry
  • dare
  • earth
  • find
  • grow
  • hedges
  • itch
  • jam
  • kid
  • lamp
  • mop
  • neighbor
  • ocean
  • pat
  • quickly
  • risk
  • swindle
  • tap
  • untie
  • vector
  • water
  • xylophone
  • year
  • zag



AIM: What is "Rhyme" 

Definition: Rhyme, also spelled rime,  the correspondence of two or more words with similar-sounding final syllables placed so as to echo one another. 

HOMEWORK: Memorize this poem for next class.  You may practice with your group, time permitting.

CLASS WORK: COPY AND PRACTICE SAYING THE POEM OUT LOUD IN YOUR GROUP
Catch a Little Rhyme   By Eve Merriam

Once upon a time
I caught a little rhyme

I set it on the floor
but it ran right out the door

I chased it on my bicycle
but it melted to an icicle

I scooped it up in my hat
but it turned into a cat

I caught it by the tail
but it stretched into a whale

I followed it in a boat
but it changed into a goat

When I fed it tin and paper
it became a tall skyscraper

Then it grew into a kite
and flew far out of sight …


Eve Merriam
1916–1992
Eve Merriam was born in Philadelphia, Pennsylvania, and attended Cornell as well as the University of Pennsylvania. Merriam was a poet, playwright, and teacher, who wrote more than 50 books of poetry and prose. She is best-known for her controversial book Inner City Mother Goose, which was adapted into the Broadway musical Inner City.

How To Eat a Poem
by Eve Merriam

Don't be polite.
Bite in.
Pick it up with your fingers and lick the juice that
may run down your chin.
It is ready and ripe now, whenever you are.
You do not need a knife or fork or spoon
or plate or napkin or tablecloth.

For there is no core
or stem
or rind
or pit
or seed
or skin

to throw away.

HOMEWORK: Write a short poem about a common household object, such as a glass, or a chair, or a dish.
Make the poem look like the object you are writing about.  


Sunday, December 7, 2014

The Landlady by Roald Dahl

DO NOW:   

  1. YOU HAVE A STUFFED ANIMAL ?  
  2. WHAT STUFFED ANIMALS DO CHILDREN LOVE?
  3. WHY DO PEOPLE LOVE STUFFED ANIMALS?  (iTS A BIG INDUSTRY, SO THINK ABOUT IT!)


AIM: WHAT CHOICES MADE BY THE FILM MAKER SURPRISE YOU?

FILM MAKERS, LIKE WRITERS ARE TRYING TO GET MESSAGES ACROSS.  
FILM MAKERS USE 
IMAGES
CAMERA  ANGLES
 SOUNDS
 COSTUMES
COLOR/B&W


DO NOW: Is there a reason why people naturally like to collect things?  Did you collect things, like seashells or stamps or coins?  Are you a collector?  

AIM: Is there anything in the story that suggests Billy might not be a comfortable staying at the BED AND BREAKFAST as he (and the reader) supposes?  

HOMEWORK:  On loose-leaf, write your answers to ALL the questions on the Landlady hand-out.  Due: Next Class



THE LANDLADY - (Band G) 
by ROALD DAHL  — Who wrote the kids' classics Charlie and the Chocolate Factory, Matilda, and James and the Giant Peach?  Guess!

PARAGRAPH WRITING: Do you think that if a person CAN work, like at some kind of a job, that they should work?  At what age could a child be given some kind of work, earn money, and learn responsibility?

AIM: What’s wrong with Billy having a real job if he can do it?

Each group is assigned two questions to answer on loose-leaf.    A third, (17 or 18) gives the whole group extra credit!

Red: 1, 9
Orange: 2, 10
Yellow: 3, 11
Green: 4, 12
Blue: 5, 13
Indigo: 6, 14
Violet: 7, 15
Striped: 8, 16

”But the air was deadly cold and the wind was like a flat blade of ice on his cheeks.” — What is the name for the literary devise that is being used in this sentence?
How old was Billy?
How was Billy walking?
Why was walking so briskly?— (What does brisk even mean? Does it mean fast? energetic? abrupt? quick? vigorous? Or does it mean slow? sluggish? languid? )
How does Billy’s brisk walk show he is concerned about being accepted by adults and he doesn’t want to disappoint anyone?
Billy had never been to the town of Bath before.  Why was he going there?
Who told Billy to go to The Bell and Dragon? — Why was it recommended to him?
What did Billy notice as he walked down the wide street after he started looking for The Bell and Dragon?
What caused him to notice the sign that said BED AND BREAKFAST?
What did Billy do when the landlady answered the door?  Why did he react that way?
“We have it all to ourselves,” she said, smiling at him over her shoulder as she led the way upstairs”  What might be a little unsettling about that line in the story?
Is Billy suspicious that things might go terribly and horribly wrong at this point in the story?  Are you suspicious that things might go terribly and horribly wrong later on in the story when you get to this point?  
What do you think causes Billy to become more and more observant?   Let’s list the  things he notices?
Does the landlady seem to notice that Billy is getting nervous?
What does Billy learn about the bird and the dog?  Everybody loves snuggly stuffed animals!  Right?  What’s the problem with those that the Landlady has?
What does Billy start to imagine about the others who had stayed at the Bed and Breakfast?
Why do you suppose the Landlady wanted Billy to sign the book?
The Landlady is very organized, isn’t she?  But, where’s her name in the story?

HOMEWORK: Write your answer to these two questions on loose-leaf, due next class. Does the story end?  Or is this a “Cliffhanger?”  — A “cliffhanger” is a story where the reader has to supply the ending.  Oh NO!Write an ending to this story, about 1/2 to 1 side of loose-leaf.  You may add a character, if you need to.  You may write a conversation between Billy and the Landlady where Billy outsmarts the Landlady, or the opposite.  







Thursday, December 4, 2014

The Lady or the Tiger— or—A "tale" about vocabulary— or—The Importance of Choosing the Right Word in a delicate situation!

The Lady or the Tiger— or—A "tale" about vocabulary— or—The Importance of Choosing the Right Word in a delicate situation!


But seriously folks,…………..
What did the tiger say to the lady?

Speak up lady, cat ’s got your tongue? Or maybe nothing since tigers can’t talk lady-language.

Then what did the lady say to the tiger?

“Hey, who said you could wear my coat!”


Do Now: Explain this saying: "To speak poorly is to think poorly and to think poorly is to live poorly."  (Can the opposite be as true: "To speak well is to think well and to think well is to live well"?)

The Lady or the Tiger- A "tale" about vocabulary, or.... The Importance of Choosing the Right Word!

FIRST: WE GENERATE A VOCABULARY LIST AND MAKE FLASH CARDS: HERE'S HOW
1. We divide the story in equal parts so each group has an equal section.
2. Starting from the bottom of the section (not the top), using a glide (an index card), scan each line for an UNFAMILIAR word. 
3. STOP when you find the unfamiliar word and copy it onto the index card.
4. Place the index card next to you, take another index card and continue gliding it, line by line until you find the next unfamiliar word and copy it onto the index card
5. Repeat this until you have finished your section.
6. As soon as you finish your section, look the words up in the dictionary and write the definition.  If more than one definition can be found, try to figure out which one makes the best sense to you, or RAISE YOUR HAND FOR HELP.
7. As soon as you finish your cards you will pass them to another group so they can copy your work onto new cards and you can copy theirs onto your new cards.  (Penmanship matters!)
8. When all the words have been found and all the cards are ready, we can start reading the story.


AIM: Is the author using the words, "Lady" and "Tiger" as metaphors for the two polar opposites of what it means to be human?

What to watch out for: Opposites!  Pay attention to the play of opposites
Is there a connection between advances in the uses of language, such as improving vocabulary, reason, writing, and discussion, and advances in the goals of civilized life?


Why does the study of language and literature give us some direction in choosing whether we are to be human (represented metaphorically by the word "Lady" in the title), or animals, (the Tiger) where the only might, not right, determines what is fair?

Homework: Flashcard project.  study the vocab and definitions so the story makes sense when you read it, duh?

VOCABULARY LIST FROM THE STORY!
adapt    administer    aesthetic    anguish   appoint    ardor    aspire    assert    attained     bland    chorister    commune    crook    cultured   decree    determinate    devious    devour     dire   doleful    downcast    emanate    exuberant   fancy    fateful    fervent    fervid    florid     genial   grievous    idealism    impartial    imperious   kindle    moiety    novel    parapet     portal   precede    premise    presume    refine   retribution    rhapsody    scheme     solemnize   strew    trammel    tribunal    valor    wail    wend



THE LADY, OR THE TIGER
by Frank R. Stockton



In the very olden time there lived a semi-barbaric king, whose ideas, though somewhat polished and sharpened by the progressiveness of distant Latin neighbors, were still large, florid, and untrammeled, as became the half of him which was barbaric. He was a man of exuberant fancy, and, withal, of an authority so irresistible that, at his will, he turned his varied fancies into facts. He was greatly given to self-communing, and, when he and himself agreed upon anything, the thing was done. When every member of his domestic and political systems moved smoothly in its appointed course, his nature was bland and genial; but, whenever there was a little hitch, and some of his orbs got out of their orbits, he was blander and more genial still, for nothing pleased him so much as to make the crooked straight and crush down uneven places.  Among the borrowed notions by which his barbarism had become semified was that of the public arena, in which, by exhibitions of manly and beastly valor, the minds of his subjects were refined and cultured.  But even here the exuberant and barbaric fancy asserted itself.   The arena of the king was built, not to give the people an opportunity of hearing the rhapsodies of dying gladiators, nor to enable them to view the inevitable conclusion of a conflict between religious opinions and hungry jaws, but for purposes far better adapted to widen and develop the mental energies of the people.   This vast amphitheater, with its encircling galleries, its mysterious vaults, and its unseen passages, was an agent of poetic justice, in which crime was punished, or virtue rewarded, by the decrees of an impartial and incorruptible chance.When a subject was accused of a crime of sufficient importance to interest the king, public notice was given that on an appointed day the fate of the accused person would be decided in the king's arena, a structure which well deserved its name, for, although its form and plan were borrowed from afar, its purpose emanated solely from the brain of this man, who, every barleycorn a king, knew no tradition to which he owed more allegiance than pleased his fancy, and who ingrafted on every adopted form of human thought and action the rich growth of his barbaric idealism.When all the people had assembled in the galleries, and the king, surrounded by his court, sat high up on his throne of royal state on one side of the arena, he gave a signal, a door beneath him opened, and the accused subject stepped out into the amphitheater.   Directly opposite him, on the other side of the inclosed space, were two doors, exactly alike and side by side.   It was the duty and the privilege of the person on trial to walk directly to these doors and open one of them.   He could open either door he pleased; he was subject to no guidance or influence but that of the aforementioned impartial and incorruptible chance.  If he opened the one, there came out of it a hungry tiger, the fiercest and most cruel that could be procured, which immediately sprang upon him and tore him to pieces as a punishment for his guilt.  The moment that the case of the criminal was thus decided, doleful iron bells were clanged, great wails went up from the hired mourners posted on the outer rim of the arena, and the vast audience, with bowed heads and downcast hearts, wended slowly their homeward way, mourning greatly that one so young and fair, or so old and respected, should have merited so dire a fate.But, if the accused person opened the other door, there came forth from it a lady, the most suitable to his years and station that his majesty could select among his fair subjects, and to this lady he was immediately married, as a reward of his innocence.  It mattered not that he might already possess a wife and family, or that his affections might be engaged upon an object of his own selection; the king allowed no such subordinate arrangements to interfere with his great scheme of retribution and reward. The exercises, as in the other instance, took place immediately, and in the arena. Another door opened beneath the king, and a priest, followed by a band of choristers, and dancing maidens blowing joyous airs on golden horns and treading an epithalamic measure, advanced to where the pair stood, side by side, and the wedding was promptly and cheerily solemnized. Then the gay brass bells rang forth their merry peals, the people shouted glad hurrahs, and the innocent man, preceded by children strewing flowers on his path, led his bride to his home.This was the king's semi-barbaric method of administering justice. Its perfect fairness is obvious. The criminal could not know out of which door would come the lady; he opened either he pleased, without having the slightest idea whether, in the next instant, he was to be devoured or married. On some occasions the tiger came out of one door, and on some out of the other. The decisions of this tribunal were not only fair, they were positively determinate: the accused person was instantly punished if he found himself guilty, and, if innocent, he was rewarded on the spot, whether he liked it or not. There was no escape from the judgments of the king's arena.The institution was a very popular one. When the people gathered together on one of the great trial days, they never knew whether they were to witness a bloody slaughter or a hilarious wedding. This element of uncertainty lent an interest to the occasion which it could not otherwise have attained. Thus, the masses were entertained and pleased, and the thinking part of the community could bring no charge of unfairness against this plan, for did not the accused person have the whole matter in his own hands?  This semi-barbaric king had a daughter as blooming as his most florid fancies, and with a soul as fervent and imperious as his own. As is usual in such cases, she was the apple of his eye, and was loved by him above all humanity. Among his courtiers was a young man of that fineness of blood and lowness of station common to the conventional heroes of romance who love royal maidens. This royal maiden was well satisfied with her lover, for he was handsome and brave to a degree unsurpassed in all this kingdom, and she loved him with an ardor that had enough of barbarism in it to make it exceedingly warm and strong. This love affair moved on happily for many months, until one day the king happened to discover its existence. He did not hesitate nor waver in regard to his duty in the premises. The youth was immediately cast into prison, and a day was appointed for his trial in the king's arena. This, of course, was an especially important occasion, and his majesty, as well as all the people, was greatly interested in the workings and development of this trial. Never before had such a case occurred; never before had a subject dared to love the daughter of the king. In after years such things became commonplace enough, but then they were in no slight degree novel and startling.The tiger-cages of the kingdom were searched for the most savage and relentless beasts, from which the fiercest monster might be selected for the arena; and the ranks of maiden youth and beauty throughout the land were carefully surveyed by competent judges in order that the young man might have a fitting bride in case fate did not determine for him a different destiny. Of course, everybody knew that the deed with which the accused was charged had been done. He had loved the princess, and neither he, she, nor anyone else, thought of denying the fact; but the king would not think of allowing any fact of this kind to interfere with the workings of the tribunal, in which he took such great delight and satisfaction. No matter how the affair turned out, the youth would be disposed of, and the king would take an aesthetic pleasure in watching the course of events, which would determine whether or not the young man had done wrong in allowing himself to love the princess.The appointed day arrived. From far and near the people gathered, and thronged the great galleries of the arena, and crowds, unable to gain admittance, massed themselves against its outside walls. The king and his court were in their places, opposite the twin doors, those fateful portals, so terrible in their similarity.All was ready. The signal was given. A door beneath the royal party opened, and the lover of the princess walked into the arena. Tall, beautiful, fair, his appearance was greeted with a low hum of admiration and anxiety. Half the audience had not known so grand a youth had lived among them. No wonder the princess loved him! What a terrible thing for him to be there!As the youth advanced into the arena he turned, as the custom was, to bow to the king, but he did not think at all of that royal personage. His eyes were fixed upon the princess, who sat to the right of her father. Had it not been for the moiety of barbarism in her nature it is probable that lady would not have been there, but her intense and fervid soul would not allow her to be absent on an occasion in which she was so terribly interested. From the moment that the decree had gone forth that her lover should decide his fate in the king's arena, she had thought of nothing, night or day, but this great event and the various subjects connected with it. Possessed of more power, influence, and force of character than any one who had ever before been interested in such a case, she had done what no other person had done,—she had possessed herself of the secret of the doors. She knew in which of the two rooms, that lay behind those doors, stood the cage of the tiger, with its open front, and in which waited the lady. Through these thick doors, heavily curtained with skins on the inside, it was impossible that any noise or suggestion should come from within to the person who should approach to raise the latch of one of them. But gold, and the power of a woman's will, had brought the secret to the princess.And not only did she know in which room stood the lady ready to emerge, all blushing and radiant, should her door be opened, but she knew who the lady was. It was one of the fairest and loveliest of the damsels of the court who had been selected as the reward of the accused youth, should he be proved innocent of the crime of aspiring to one so far above him; and the princess hated her. Often had she seen, or imagined that she had seen, this fair creature throwing glances of admiration upon the person of her lover, and sometimes she thought these glances were perceived, and even returned. Now and then she had seen them talking together; it was but for a moment or two, but much can be said in a brief space; it may have been on most unimportant topics, but how could she know that? The girl was lovely, but she had dared to raise her eyes to the loved one of the princess; and, with all the intensity of the savage blood transmitted to her through long lines of wholly barbaric ancestors, she hated the woman who blushed and trembled behind that silent door.When her lover turned and looked at her, and his eye met hers as she sat there, paler and whiter than any one in the vast ocean of anxious faces about her, he saw, by that power of quick perception which is given to those whose souls are one, that she knew behind which door crouched the tiger, and behind which stood the lady. He had expected her to know it. He understood her nature, and his soul was assured that she would never rest until she had made plain to herself this thing, hidden to all other lookers-on, even to the king. The only hope for the youth in which there was any element of certainty was based upon the success of the princess in discovering this mystery; and the moment he looked upon her, he saw she had succeeded, as in his soul he knew she would succeed.Then it was that his quick and anxious glance asked the question: "Which?" It was as plain to her as if he shouted it from where he stood. There was not an instant to be lost. The question was asked in a flash; it must be answered in another.  Her right arm lay on the cushioned parapet before her. She raised her hand, and made a slight, quick movement toward the right. No one but her lover saw her. Every eye but his was fixed on the man in the arena.  He turned, and with a firm and rapid step he walked across the empty space. Every heart stopped beating, every breath was held, every eye was fixed immovably upon that man. Without the slightest hesitation, he went to the door on the right, and opened it.Now, the point of the story is this: Did the tiger come out of that door, or did the lady?The more we reflect upon this question, the harder it is to answer. It involves a study of the human heart which leads us through devious mazes of passion, out of which it is difficult to find our way. Think of it, fair reader, not as if the decision of the question depended upon yourself, but upon that hot-blooded, semi-barbaric princess, her soul at a white heat beneath the combined fires of despair and jealousy. She had lost him, but who should have him?  How often, in her waking hours and in her dreams, had she started in wild horror, and covered her face with her hands as she thought of her lover opening the door on the other side of which waited the cruel fangs of the tiger!  But how much oftener had she seen him at the other door! How in her grievous reveries had she gnashed her teeth, and torn her hair, when she saw his start of rapturous delight as he opened the door of the lady! How her soul had burned in agony when she had seen him rush to meet that woman, with her flushing cheek and sparkling eye of triumph; when she had seen him lead her forth, his whole frame kindled with the joy of recovered life; when she had heard the glad shouts from the multitude, and the wild ringing of the happy bells; when she had seen the priest, with his joyous followers, advance to the couple, and make them man and wife before her very eyes; and when she had seen them walk away together upon their path of flowers, followed by the tremendous shouts of the hilarious multitude, in which her one despairing shriek was lost and drowned!  Would it not be better for him to die at once, and go to wait for her in the blessed regions of semi-barbaric futurity?  And yet, that awful tiger, those shrieks, that blood!  Her decision had been indicated in an instant, but it had been made after days and nights of anguished deliberation. She had known she would be asked, she had decided what she would answer, and, without the slightest hesitation, she had moved her hand to the right.The question of her decision is one not to be lightly considered, and it is not for me to presume to set myself up as the one person able to answer it. And so I leave it with all of you: Which came out of the opened door,—the lady, or the tiger?

The Lady or the Tiger




The Lady or the Tiger


Do Now: Explain this saying: "To speak poorly is to think poorly and to think poorly is to live poorly."  

AIM: Is the author using the words, "Lady" and "Tiger" as metaphors for the two polar opposites of what it means to be human?


Can the opposite be as true: "To speak well is to think well and to think well is to live well"?

Is there a connection between advances in the uses of language, such as improving vocabulary, reason, writing, and discussion, and advances in the goals of civilized life?

Why does the study of language and literature give us some direction in choosing whether we are to be human (represented metaphorically by the word "Lady" in the title), or animals, (the Tiger) where the only might, not right, determines what is fair?

VOCABULARY LIST FROM THE STORY!
  1. adapt 
  2. administer 
  3. aesthetic 
  4. anguish
  5. appoint 
  6. ardor 
  7. aspire 
  8. assert 
  9. attained
  10.  
  11. bland 
  12. chorister 
  13. commune 
  14. crook 
  15. cultured
  16. decree 
  17. determinate 
  18. devious 
  19. devour
  20.  
  21. dire
  22. doleful 
  23. downcast 
  24. emanate 
  25. exuberant
  26. fancy 
  27. fateful 
  28. fervent 
  29. fervid 
  30. florid
  31.  
  32. genial
  33. grievous 
  34. idealism 
  35. impartial 
  36. imperious
  37. kindle 
  38. moiety 
  39. novel 
  40. parapet
  41.  
  42. portal
  43. precede 
  44. premise 
  45. presume 
  46. refine
  47. retribution 
  48. rhapsody 
  49. scheme
  50.  
  51. solemnize
  52. strew 
  53. trammel 
  54. tribunal 
  55. valor 
  56. wail 
  57. wend

Pre-reading Vocabulary

http://www.vocabulary.com/lists/179438#view=notes

THE LADY, OR THE TIGER?

by
Frank R. Stockton
In the very olden time there lived a semi-barbaric king, whose ideas, though somewhat polished and sharpened by the progressiveness of distant Latin neighbors, were still large, florid, and untrammeled, as became the half of him which was barbaric. He was a man of exuberant fancy, and, withal, of an authority so irresistible that, at his will, he turned his varied fancies into facts. He was greatly given to self-communing, and, when he and himself agreed upon anything, the thing was done. When every member of his domestic and political systems moved smoothly in its appointed course, his nature was bland and genial; but, whenever there was a little hitch, and some of his orbs got out of their orbits, he was blander and more genial still, for nothing pleased him so much as to make the crooked straight and crush down uneven places.
Among the borrowed notions by which his barbarism had become semified was that of the public arena, in which, by exhibitions of manly and beastly valor, the minds of his subjects were refined and cultured.
But even here the exuberant and barbaric fancy asserted itself. The arena of the king was built, not to give the people an opportunity of hearing the rhapsodies of dying gladiators, nor to enable them to view the inevitable conclusion of a conflict between religious opinions and hungry jaws, but for purposes far better adapted to widen and develop the mental energies of the people. This vast amphitheater, with its encircling galleries, its mysterious vaults, and its unseen passages, was an agent of poetic justice, in which crime was punished, or virtue rewarded, by the decrees of an impartial and incorruptible chance.
When a subject was accused of a crime of sufficient importance to interest the king, public notice was given that on an appointed day the fate of the accused person would be decided in the king's arena, a structure which well deserved its name, for, although its form and plan were borrowed from afar, its purpose emanated solely from the brain of this man, who, every barleycorn a king, knew no tradition to which he owed more allegiance than pleased his fancy, and who ingrafted on every adopted form of human thought and action the rich growth of his barbaric idealism.
When all the people had assembled in the galleries, and the king, surrounded by his court, sat high up on his throne of royal state on one side of the arena, he gave a signal, a door beneath him opened, and the accused subject stepped out into the amphitheater. Directly opposite him, on the other side of the inclosed space, were two doors, exactly alike and side by side. It was the duty and the privilege of the person on trial to walk directly to these doors and open one of them. He could open either door he pleased; he was subject to no guidance or influence but that of the aforementioned impartial and incorruptible chance. If he opened the one, there came out of it a hungry tiger, the fiercest and most cruel that could be procured, which immediately sprang upon him and tore him to pieces as a punishment for his guilt. The moment that the case of the criminal was thus decided, doleful iron bells were clanged, great wails went up from the hired mourners posted on the outer rim of the arena, and the vast audience, with bowed heads and downcast hearts, wended slowly their homeward way, mourning greatly that one so young and fair, or so old and respected, should have merited so dire a fate.
But, if the accused person opened the other door, there came forth from it a lady, the most suitable to his years and station that his majesty could select among his fair subjects, and to this lady he was immediately married, as a reward of his innocence. It mattered not that he might already possess a wife and family, or that his affections might be engaged upon an object of his own selection; the king allowed no such subordinate arrangements to interfere with his great scheme of retribution and reward. The exercises, as in the other instance, took place immediately, and in the arena. Another door opened beneath the king, and a priest, followed by a band of choristers, and dancing maidens blowing joyous airs on golden horns and treading an epithalamic measure, advanced to where the pair stood, side by side, and the wedding was promptly and cheerily solemnized. Then the gay brass bells rang forth their merry peals, the people shouted glad hurrahs, and the innocent man, preceded by children strewing flowers on his path, led his bride to his home.
This was the king's semi-barbaric method of administering justice. Its perfect fairness is obvious. The criminal could not know out of which door would come the lady; he opened either he pleased, without having the slightest idea whether, in the next instant, he was to be devoured or married. On some occasions the tiger came out of one door, and on some out of the other. The decisions of this tribunal were not only fair, they were positively determinate: the accused person was instantly punished if he found himself guilty, and, if innocent, he was rewarded on the spot, whether he liked it or not. There was no escape from the judgments of the king's arena.
The institution was a very popular one. When the people gathered together on one of the great trial days, they never knew whether they were to witness a bloody slaughter or a hilarious wedding. This element of uncertainty lent an interest to the occasion which it could not otherwise have attained. Thus, the masses were entertained and pleased, and the thinking part of the community could bring no charge of unfairness against this plan, for did not the accused person have the whole matter in his own hands?
This semi-barbaric king had a daughter as blooming as his most florid fancies, and with a soul as fervent and imperious as his own. As is usual in such cases, she was the apple of his eye, and was loved by him above all humanity. Among his courtiers was a young man of that fineness of blood and lowness of station common to the conventional heroes of romance who love royal maidens. This royal maiden was well satisfied with her lover, for he was handsome and brave to a degree unsurpassed in all this kingdom, and she loved him with an ardor that had enough of barbarism in it to make it exceedingly warm and strong. This love affair moved on happily for many months, until one day the king happened to discover its existence. He did not hesitate nor waver in regard to his duty in the premises. The youth was immediately cast into prison, and a day was appointed for his trial in the king's arena. This, of course, was an especially important occasion, and his majesty, as well as all the people, was greatly interested in the workings and development of this trial. Never before had such a case occurred; never before had a subject dared to love the daughter of the king. In after years such things became commonplace enough, but then they were in no slight degree novel and startling.
The tiger-cages of the kingdom were searched for the most savage and relentless beasts, from which the fiercest monster might be selected for the arena; and the ranks of maiden youth and beauty throughout the land were carefully surveyed by competent judges in order that the young man might have a fitting bride in case fate did not determine for him a different destiny. Of course, everybody knew that the deed with which the accused was charged had been done. He had loved the princess, and neither he, she, nor any one else, thought of denying the fact; but the king would not think of allowing any fact of this kind to interfere with the workings of the tribunal, in which he took such great delight and satisfaction. No matter how the affair turned out, the youth would be disposed of, and the king would take an aesthetic pleasure in watching the course of events, which would determine whether or not the young man had done wrong in allowing himself to love the princess.
The appointed day arrived. From far and near the people gathered, and thronged the great galleries of the arena, and crowds, unable to gain admittance, massed themselves against its outside walls. The king and his court were in their places, opposite the twin doors, those fateful portals, so terrible in their similarity.
All was ready. The signal was given. A door beneath the royal party opened, and the lover of the princess walked into the arena. Tall, beautiful, fair, his appearance was greeted with a low hum of admiration and anxiety. Half the audience had not known so grand a youth had lived among them. No wonder the princess loved him! What a terrible thing for him to be there!
As the youth advanced into the arena he turned, as the custom was, to bow to the king, but he did not think at all of that royal personage. His eyes were fixed upon the princess, who sat to the right of her father. Had it not been for the moiety of barbarism in her nature it is probable that lady would not have been there, but her intense and fervid soul would not allow her to be absent on an occasion in which she was so terribly interested. From the moment that the decree had gone forth that her lover should decide his fate in the king's arena, she had thought of nothing, night or day, but this great event and the various subjects connected with it. Possessed of more power, influence, and force of character than any one who had ever before been interested in such a case, she had done what no other person had done,—she had possessed herself of the secret of the doors. She knew in which of the two rooms, that lay behind those doors, stood the cage of the tiger, with its open front, and in which waited the lady. Through these thick doors, heavily curtained with skins on the inside, it was impossible that any noise or suggestion should come from within to the person who should approach to raise the latch of one of them. But gold, and the power of a woman's will, had brought the secret to the princess.
And not only did she know in which room stood the lady ready to emerge, all blushing and radiant, should her door be opened, but she knew who the lady was. It was one of the fairest and loveliest of the damsels of the court who had been selected as the reward of the accused youth, should he be proved innocent of the crime of aspiring to one so far above him; and the princess hated her. Often had she seen, or imagined that she had seen, this fair creature throwing glances of admiration upon the person of her lover, and sometimes she thought these glances were perceived, and even returned. Now and then she had seen them talking together; it was but for a moment or two, but much can be said in a brief space; it may have been on most unimportant topics, but how could she know that? The girl was lovely, but she had dared to raise her eyes to the loved one of the princess; and, with all the intensity of the savage blood transmitted to her through long lines of wholly barbaric ancestors, she hated the woman who blushed and trembled behind that silent door.
When her lover turned and looked at her, and his eye met hers as she sat there, paler and whiter than any one in the vast ocean of anxious faces about her, he saw, by that power of quick perception which is given to those whose souls are one, that she knew behind which door crouched the tiger, and behind which stood the lady. He had expected her to know it. He understood her nature, and his soul was assured that she would never rest until she had made plain to herself this thing, hidden to all other lookers-on, even to the king. The only hope for the youth in which there was any element of certainty was based upon the success of the princess in discovering this mystery; and the moment he looked upon her, he saw she had succeeded, as in his soul he knew she would succeed.
Then it was that his quick and anxious glance asked the question: "Which?" It was as plain to her as if he shouted it from where he stood. There was not an instant to be lost. The question was asked in a flash; it must be answered in another.
Her right arm lay on the cushioned parapet before her. She raised her hand, and made a slight, quick movement toward the right. No one but her lover saw her. Every eye but his was fixed on the man in the arena.
He turned, and with a firm and rapid step he walked across the empty space. Every heart stopped beating, every breath was held, every eye was fixed immovably upon that man. Without the slightest hesitation, he went to the door on the right, and opened it.
Now, the point of the story is this: Did the tiger come out of that door, or did the lady?
The more we reflect upon this question, the harder it is to answer. It involves a study of the human heart which leads us through devious mazes of passion, out of which it is difficult to find our way. Think of it, fair reader, not as if the decision of the question depended upon yourself, but upon that hot-blooded, semi-barbaric princess, her soul at a white heat beneath the combined fires of despair and jealousy. She had lost him, but who should have him?
How often, in her waking hours and in her dreams, had she started in wild horror, and covered her face with her hands as she thought of her lover opening the door on the other side of which waited the cruel fangs of the tiger!
But how much oftener had she seen him at the other door! How in her grievous reveries had she gnashed her teeth, and torn her hair, when she saw his start of rapturous delight as he opened the door of the lady! How her soul had burned in agony when she had seen him rush to meet that woman, with her flushing cheek and sparkling eye of triumph; when she had seen him lead her forth, his whole frame kindled with the joy of recovered life; when she had heard the glad shouts from the multitude, and the wild ringing of the happy bells; when she had seen the priest, with his joyous followers, advance to the couple, and make them man and wife before her very eyes; and when she had seen them walk away together upon their path of flowers, followed by the tremendous shouts of the hilarious multitude, in which her one despairing shriek was lost and drowned!
Would it not be better for him to die at once, and go to wait for her in the blessed regions of semi-barbaric futurity?
And yet, that awful tiger, those shrieks, that blood!
Her decision had been indicated in an instant, but it had been made after days and nights of anguished deliberation. She had known she would be asked, she had decided what she would answer, and, without the slightest hesitation, she had moved her hand to the right.
The question of her decision is one not to be lightly considered, and it is not for me to presume to set myself up as the one person able to answer it. And so I leave it with all of you: Which came out of the opened door,—the lady, or the tiger?

Wednesday, December 3, 2014

The Lady or the Tiger Vocabulary Test

Matching

1. florid
2. genial
3. valor
4. decrees
5. incorruptible
6. emanated
7. doleful
8. dire
9. subordinate
10. tribunal

a. came forth
b. court
c. sad; melancholy
d. flowery; showy
e. secondary
f. official orders
g. courage
h. dreadful; terrible
i. friendly; cheerful
j. unable to be bribed or tainted

Multiple-Choice

1. An impartial decision
a. shows no favoritism
b. is unfair
c. is made quickly

2. Something procured is
a. obtained
b. well fed
c. safe to eat

3. A scheme of retribution
a. redistributes wealth
b. asks questions
c. punishes wrongdoing

4. A person with an imperious nature is
a. arrogant
b. heir to the throne
c. soft-spoken

5. Ardor can be described as
a. a love for trees
b. burning resentment
c. strong feeling

6. The portals of a building or structure are its
a. windows
b. doors
c. roof lines

7. The parapet on  which the princess's right arm lay was a
a. cushion
b. low railing
c. desk

8. Devious paths are
a. roundabout and winding
b. long and exhausting
c. clearly indicated and pleasant

9. Reveries are
a. daydreams
b. jealous rages
c. wake-up calls

10. The deliberation that preceded the decision of the princess was marked by
a. a hasty search for documents
b. bitter arguments
c. careful consideration

Tuesday, December 2, 2014

"The Pedestrian" by Ray Bradbury



DO NOW: How do you spend your free time?
What is meant by the expression, "Free time?"  Time for Freedom?  Explain to an extraterrestrial what humans mean by "Free Time" and whether free time is as free as it could be?

Here's a little conversation between two friends to help illustrate the idea:

John called his best friend Harry.  "Hey, Harry.  Do you have any plans for the afternoon?"
      "No, John, I don't.  What do you want to do?"
      "How about we just start walking from your place and take life as it comes.  What do you say?"
      "No thanks man, I need to know what we're going to do.  How about tennis or watch the cheerleaders at practice?"
      "That's not 'Free-Time' Harry, that's choosing how to take the freedom out of free time by deciding, in advance what you're going to do.  It's like, tennis becomes the boss and you have to do things "tennis's" way.   I mean let's just not have any boss and see where life takes us.  Play it by ear, as the saying goes.  Life is too wild and precious to plan, don't you think?"

What do you think?  Are you comfortable with life or do you have to have something boss your time around?




AIM: What crime does Leonard Mead commit?  Why is it a crime?  Is he guilty?

What is "Free Time" in today's society? - Don't we all need to just get away from the world, get off the merry-go-round of daily living from time to time?  

Is walking, when you don't have to be anywhere in particular, a proper use of one's free time?



Homework: Make a list things people do in their free time and label whether it is an ACTIVITY,  (such as doing art, music, exploring,  being creative, volunteer work, etc. ) or whether it is more PASSIVE (such as watching sports, films, observing, Internet, Facebook, etc.)


The grey-eyed morn smiles on the frowning night,
Chequering the eastern clouds with streaks of light,
And flecked darkness like a drunkard reels
From forth day's path and Titan's fiery wheels:
Now, ere the sun advance his burning eye,
The day to cheer and night's dank dew to dry,
I must up-fill this osier cage of ours
With baleful weeds and precious-juiced flowers. - From Romeo and Juliet by William Shakespeare



sordid 
adjective
involving ignoble actions and motives; arousing moral distaste and contempt: the story paints a sordid picture of bribes and scams.

dirty or squalid: the overcrowded housing conditions were sordid and degrading.

forlorn - pitifully sad and lonely
Pagan - someone who follows a religion before the advent of monotheism (Ancient Greeks, with their polytheism, were considered Pagans 
Proteus - a minor sea god of Greek mythology who had the power of prophecy but who would assume different shapes to avoid answering questions.
Triton - Greek Mythology a minor sea god usually represented as a man with a fish's tail and carrying a trident and shell trumpet.

The World Is Too Much With Us

BY WILLIAM WORDSWORTH
The world is too much with us; late and soon,
Getting and spending, we lay waste our powers;—
Little we see in Nature that is ours;
We have given our hearts away, a sordid boon! [sordid boon, meaning a disgusting benefit]
This Sea that bares her bosom to the moon;
The winds that will be howling at all hours,
And are up-gathered now like sleeping flowers;
For this, for everything, we are out of tune;
It moves us not. Great God! I’d rather be
A Pagan suckled in a creed outworn;
So might I, standing on this pleasant lea,
Have glimpses that would make me less forlorn;
Have sight of Proteus rising from the sea;
Or hear old Triton blow his wreathèd horn.